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Great work!,i hope this is released as a plug in,much more flexible in the studio environment than the hardware unit.
In this interview with Preston Nicols at 31:40 he demo's an old moray designed receiver,the reception is described as a 3 dimensional presence in the room.
Does this relate to the B.A.S.E system at all?
I'm wondering why the "before" samples on that webpage are just the "after" samples summed to mono. L/R in the "after" samples, when summed, causes exactly the same frequencies to be missing that are missing in the "before" samples. This is especially easy to notice on the bass guitar on the very beginning of the "Clovers" samples. The frequencies aren't missing from L or R on their own in the "after" samples. Just phase-rotated in effect.
I'm also wondering how, if those "after" samples were sourced from actually mono recordings, that John created a delay in Synthmaker with nothing but +, -, and *.... and also how a delay like that is supposed to be mono compatible.
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